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Sunday, February 26, 2012
Wednesday, February 22, 2012
when Stan Lee went to Japan and Go Nagai drew Star Wars
Here are some pix from an issue of "Foom" ... "Foom" was Marvel Comics' in-house fan magazine, and in the late 1970s they were making deals in Japan for things like the crazy Japanese Spiderman TV show, stuff like that.
Here's Stan Lee meeting Osamu Tezuka:
Here's Stan Lee meeting Go Nagai:
Best of all, they got Go Nagai (or Ken Ishikawa, or SOMEBODY at Dynamic Pro) to do some Star Wars artwork:
The best part about that Star Wars pic is thinking how Marvel fans would react, how Star Wars fans would react, and how anime fans would react. The article is more or less a hook to hang some publicity photos on, but Marvel's guy in Tokyo mentions how widespread the Japanese comics industry is, how the storytelling pace is a lot slower and more cinematic, how American style comics simply won't sell in Japan, and more or less demonstrates a firm understanding of the Japanese pop culture industry, which is interesting for 1978, because it took thirty years for anybody to actually put any of this understanding into practice in the US (and it wasn't Marvel). Also neat is the mention of all the other fantastic co-productions that were in the works for Japan, including a Japanese Silver Surfer. Don't hold your breath waiting for that one, 1978.
Also fun is the consistent use of the word "oriental", which is bar none still the cheesiest way to refer to anything Asian.
Here's Stan Lee meeting Osamu Tezuka:
Here's Stan Lee meeting Go Nagai:
Best of all, they got Go Nagai (or Ken Ishikawa, or SOMEBODY at Dynamic Pro) to do some Star Wars artwork:
The best part about that Star Wars pic is thinking how Marvel fans would react, how Star Wars fans would react, and how anime fans would react. The article is more or less a hook to hang some publicity photos on, but Marvel's guy in Tokyo mentions how widespread the Japanese comics industry is, how the storytelling pace is a lot slower and more cinematic, how American style comics simply won't sell in Japan, and more or less demonstrates a firm understanding of the Japanese pop culture industry, which is interesting for 1978, because it took thirty years for anybody to actually put any of this understanding into practice in the US (and it wasn't Marvel). Also neat is the mention of all the other fantastic co-productions that were in the works for Japan, including a Japanese Silver Surfer. Don't hold your breath waiting for that one, 1978.
Also fun is the consistent use of the word "oriental", which is bar none still the cheesiest way to refer to anything Asian.
Monday, February 20, 2012
Wednesday, February 8, 2012
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